
Sarah Natalia Lee was born in a dusty old
town in Idaho.
She began writing at the age of seven, creating original children’s stories
even though she could barely spell. She continued writing until she finished Saving Amy, her first full-length novel.
She plans to write inspiring, meaningful novels until the end of her life.
Sarah’s writing is inspired by many things:
music, art, writing, movies, even the scenery around her home. Anything that
speaks to her has the potential to influence a story. The rest she acquires
from her own experiences and her feeling that a certain issue needs to be
addressed in a book. Saving Amy was
inspired by a performance of Dracula,
and much of its tone was inspired by Fallen,
debut album of the rock band Evanescence.
She has one pet: a black-and-white English
setter she describes as “spunky, affectionate, intelligent and stupid at the
same time…likes to sleep all day and explode energy after dinner.” An avid
artist, Sarah plans to teach at a middle- or high-school level after earning
her bachelor’s in art education. She also hopes to pursue a personal career as
an artist, working in the mediums of drawing, painting, glass, beads, and
jewelry.
To learn more about Sarah Natalia Lee, her writing and her art, visit http://sarahnatalialee.tripod.com/index/
Saving Amy
“I’m
sorry you fight with Annie.”
“Yeah. Me too.”
“Is her real name Anne?”
“Anne Marie. She’s eighteen, but she
still does everything everyone tells her to do and never questions authority.
It’s a little strange.”
“Huh,” Amy begins. “I know people
like that. Well, I knew people like that. Now the only people I know are you
and…them. If you can even count them as people. Nathan and I fought a lot too,
but we loved each other anyway. I missed him terribly after I died. He was only
nine when it happened.”
I bite my lips, rub my arms against
the cool air. Glance at Amy, who is swinging her legs, oblivious to the frigid
air.
“Aren’t you cold?”
She shakes her head. “Can’t feel
anything colder than my body temperature. I mean, I can feel it on my skin, but
that’s it.”
“Well…do you wear that in the summer
too?”
“It’s the only outfit I have,” she
says. “I know it’s, uh, gothic. She
makes us wear them, almost like a uniform or something. It really sucked at
first, but I got used to it.”
“Do you get hot either? Like, in the summer
and stuff?”
“Well yeah, heat still penetrates
me. Obviously, because heat is part of what we seek when we drink blood. But I
take off my corset and sometimes my boots and leggings…when it’s safe, anyway.”
Reviews for Saving Amy
Seventeen-year-old
Emma suffers first the trauma of watching her beloved mother die slowly
of breast cancer, then court-ordered relocation across the country with
her three sisters into the care of a father who abandoned them when she
was two years old. As if that weren't enough to drive a teen around the
bend, additional and potentially fatal threats materialize from a
graveyard at the bottom of the hill. But one of these "undead," Amy, is
different, and their deep friendship and eventual love transform Emma's
soul, and her appreciation for life and love in all their diversity.
"Saving
Amy" is a novel exploring most of the major issues of adolescence: the
search for love, the loss of love, separation from parents, acceptance,
the idealization and reality of sexuality, selfishness, selflessness,
forgiveness. It is a vampire story, but an unusual one in that its
message is the redeeming power of love. It presents a fearful image
familiar to children: the horror on the other side of the dark bedroom
window, then turns the horror into love.
This is possible
because of the author's clever invention of the "incomplete vampire"
who has not lost her soul and is thus capable of love and incapable of
wanton destruction of the living.
There is the idealization
and longing of youth: a gay teen experiencing complete acceptance from
most everyone around her; a love that is ideal but impossible because
it can only happen with a being that does not exist; the perfect
relationship remaining perfect because it is cut short while in full
bloom. The violent clashes of a Romeo and Juliet love.
Vampire
novels are apparently "hot" in YA literature these days, but the
difference in Sarah Natalia Lee's book is her identification of
"vampirism" as emblematic of the horrific side of human nature:
"I
see, to its fullest extent, the horror that vampirism is, just how much
it victimizes the human race with its own selfish need to bring hell
upon the earth. And a question blows through my mind as I suddenly
remember my studies of ancient civilizations' torturous customs, of
slavery, of World War II, of the Holocaust, the wars and genocides that
rage to this day: do you really need to be a vampire to carry out hell?
Perhaps vampirism is merely an exaggerated symbol of what humans are
capable of doing, of what they have been doing since they began to
evolve." (page 317)
But her ultimate message is one of hope,
and the image of the rising sun that recurs throughout the novel
parallels the saving power of love.
A touching first novel from this young author! - B. Houff